Thursday, January 15, 2015

Movie Review: Annie (2014 Version)

Annie (2014)

Two and half Stars out of Five

PG

Annie: Quvenzhané Wallis
Will Stacks: Jamie Foxx
Grace: Rose Byrne
Guy: Bobby Cannavale
Miss Hannigan: Cameron Diaz

Director: Will Gluck
Writer: Will Gluck and Aline Brosh McKenna
Music: Greg Kurstin
Cinematography: Michael Grady

Annie (2014) was an ardent effort, but ultimately failed to deliver.  The decision by writer director Will Gluck to re-set the 1982 version (itself set in a quasi-1940’s milieu) in modern day New York City was an interesting choice with respect to the whole concept of updating a period piecemovie to contemporary scenes. Concurrent with the time change there were additionally a number of character re-writes; most notably the conversion of Daddy Warbucks into cell phone magnate/mayoral candidate Will Stacks. This latter change is I think symptomatic of the problems with which the movie is laden: updates that seem not only pointless, but in many cases distracting.

The movie begins with Annie (Quvenzhané Wallis) in a school room where she quickly displays her boundless joy and propensity to burst into song. The first song was in some ways an inspired foray into improvised percussion as the various students clap and stomp their way through the song. Wallis is an outstanding young actress with a fair voice; but this first song like so many in this movie failed to resonate with me. Clearly a great deal of thought and practice went into the careful performance of the song, and yet it just isn’t a pleasing performance. This is a pattern that repeats time and again throughout the movie. Another good example is the soon to follow introduction to Annie’s foster home with her fellow wards under the care of Miss Hanigan (Cameron Diaz). The other young actresses all have fine voices, but as they work their way through “Hard Knock Life”, I just kept sitting there unhappy with the new version of the song. To be sure, it is easy for one to become wholly engaged with a particular version of a song, so much so that any subsequent version sounds false, but I am not completely convinced this is the case in this movie. The choreography and scene setting continually seemed thematically disconnected from the songs being sung.

There are two great exceptions to this point view: “Who Am I” and “I Don’t Need Anything But You”. Both songs feature Jamie Foxx. He is the prime reason to see this movie – should you choose to see it. He has a strong pleasant voice and superb acting ability. “Who Am I” was sung by Foxx, Diaz and Wallis in an intriguing series of scenes that segued from one singer to the next. This attempt to display each singer’s emotional state and to provide a contrast between the three was again not really successful. Again and again, I can see and appreciate director Gluck’s attempt to try something new in terms of telling the story of Annie, but it just doesn’t work in this movie version.

If you want to see Annie, rent the 1982 version with Albert Finney as Daddy Warbucks and Ailene Quinn as Annie. Their performances and the direction by John Huston will far more adequately tell her story and do so in the setting (i.e. 1940’s New York) where the story does not seem like an anachronism. Finney’s performance and Quinn’s singing are not that much better than Foxx and Wallis, but the nature of the story telling is just simply superior. Annie’s story is one that ought not be updated to contemporary times; it needs to be left in the odd little version of 1920-40’s America originally envisioned by the comics writer, Harold Gray.




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